TJC: It’s always a pleasure to chat, Gary.
PBR: You certainly are a prolific writer. I commented in my review of your latest novel, House of Cards: Dead Men Tell No Tales, you always seem to
educate while entertain. Tell us about
how you go about deciding on topics and research your books, and the process of
how then you interleave the story into the factual occurrences?
TJC: To answer your question, I have to go back to
2006 and the commencement address my eldest daughter, Missy—whoops, could she
be the ‘Missy Dugan’ in the Detective Louis Martelli books? Naw . . . any
resemblance to persons living or dead, and all that—gave to some high school
graduates. Missy chose the subject of serendipity and the role it plays in
people’s lives. And so it is with me. I would have to say that the selection of
a book’s topic, or even before that, the decision to write a book, resulted from pure serendipity . . . an accidental
discovery or awakening to something, perhaps the germ of an idea that had never
occurred to me before.
The idea to
write something about a person who returns to playing a musical instrument, for
example, the violin, after a 50-year hiatus came from my own life’s experience.
The result was the novel Full Circle.
The decision to write Frozen in Time
resulted from the fact that I had been having my 35mm slide collection
converted to the jpg digital format. Included among them were a ton of pictures
I took on a trip I made to South America and Antarctica during the austral
summer of 1961-62. Seeing them again stirred up old memories, and voilá, I decided to create another novel. By the way, Frozen in Time had an earlier
incarnation, some 50 years ago. I originally wrote it as a short story while I
was working in the Antarctic at Chilean Antarctic Base Bernado O’Higgins. There
were times when terrible storms would shut down our exploratory operations on
the offshore islands for days at a time. Never underestimate the power of
boredom to spur you into doing something . . . anything . . . to keep busy. Unfortunately, the manuscript for that
story, which was in handwritten, was lost during my return to the States.
Now, as you
know, Frozen in Time is a post-modern
novel. And it made a number of readers very uncomfortable, not the least of
whom was my younger daughter, Stephanie. Wow, another character found in the
Detective Louis Martelli books. This has got to stop or my own family is going
to sue me! <laughter> Anyway, Stephanie kept calling and calling, wanting
to know what happened to Captain Muñoz and the treasure stolen from a
branch of the National Bank of Chile. The only way I could get some peace in my
life was to write what became Books II and III of the Antarctic Murders
Trilogy.
As for Death by Wall Street, this novel was my
way of telling a story of FDA corruption and SEC incompetence that had bothered
me for more than 4 years. At issue was the refusal by the FDA in 2007 to
approve a drug for end stage prostate cancer despite a strong recommendation for approval from an FDA advisory committee. In 2009, I worked as a
private investigator and researcher for a man who was doing a story on how two
doctors on the advisory committee had worked to delay approval for what
eventually turned out to be 3 years. He also delved into how seven hedge funds
benefited from the delay. The story can be found at www.deepcapture.com and is titled
“Michael Milken and Dendreon”. [Full disclosure: I own shares of Dendreon.] In
any event, writing Death by Wall Street was
a catharsis, of sorts, for me. At least I got to kill off three of the bad
guys.
Which brings
us to House of Cards. I have been
continually amazed by the fact that despite the destruction heaped on Main
Street by Wall Street in 2008 and the wholesale destruction of middle class
wealth brought about the financial meltdown that this country experienced, not
one person from a major financial institution has gone to jail. Think about it.
Not one. During the S&L crisis of the 1980s and 1990s, 1500 bankers went to
jail. Where is our Department of Justice? Where is the Securities and Exchange
Commission? One gets the feeling that we have the best government that money
can buy. And ours has been ‘bought’. Or better, bought off. And the more I
thought about this, the angrier I got. Until one morning, I woke up, and there
was the germ of an idea for a book, House
of Cards. Mix in a little intrigue—for example, what really was behind the 1000 point Dow Jones Index meltdown in May,
2010?—and you have, I think, the makings of a good mystery/thriller. But I’ll
let your readers be the judge.
As for
weaving truth and fiction, that’s something I attribute to my scientific and
engineering background, plus my research abilities. It’s almost second nature
for me, now . . . to take a subject and weave a tale around it that
incorporates both fictional and real elements. It’s all a matter of knowing the
subjects about which you’re writing and being able to work them into the
narratives or dialogues in believable ways. By that I mean, writing in ways such that someone knowledgeable in the
area being discussed would have difficulty separating fact from fiction. I
still recall how members of my family called me for weeks following the
publication of Full Circle, which is
semi-autobiographical, to ask, “Did Mom really say this?” or “Did Dad really do
that?” I can’t tell you how many hours I spend on the phone unraveling fact
from fiction for them.
Well, I
apologize, Gary. You asked me what time it was, and I told you how to make a
watch.
PBR: It seems to be a process you have mastered. Do you feel your scientific reasoning is a
gift for adding credibility to your stories?
TJC: No question about it. I have three degrees in
the physical sciences and have worked in communications/electronics since 1966.
I received my first Amateur Radio license in 1952, and today, hold an Amateur
Extra Class license with the callsign N4XX. I also spent some time in the Army,
the Corps of Engineers, to be exact. Because I worked as a research scientist
and consultant in the defense, homeland security, and anti-terrorism
communities for decades, I’ve been exposed to technologies that span a broad
spectrum of real-world applications. And, of course, I’ve been writing for the
popular, scientific, and engineering literature since the 1960s. Included in
those writings is some fiction, believe it or not. So, when you combine all
these things together, I think you can begin to see why the novels I write read
as they do.
PBR: An observation of mine is that you’re always “looking out for the little
guys” – meaning I see you as a consumer advocate, a preacher of the truth, and
definitely an enemy of big business, large government, and corrupt
corporations. How would you describe
your values on these subjects?
TJC: Good observation. They, whoever they are, assert that the United States if governed by the ‘rule of
law’ . . . that our laws apply equally to all. Clearly, that’s not the case.
Look at any newspaper or news show on television and you’ll see that the rich
and famous are treated preferentially by our justice system. That’s not right.
And when it comes to cheats, don’t get me started. It’s bad enough what Wall
Street did to Main Street when it came to what happened in the mortgage industry
and the 2008 meltdown. But then, look what happened. They took the bailout
money, the so-called TARP funds, awarded themselves big bonuses, and, instead
of lending money to homeowners and businesses, they used the money to speculate in the commodity markets. You have
to wonder whether or not anyone in Washington even has an inkling how Wall
Street functions. I know you’re laughing as you hear me say this because I
don’t hold anything back in the novel. The language used, shall we say, ‘adult’. <laughter>
PBR: We were introduced to your protagonist Louis Martelli in your previous
novel, Death by Wall Street: Rampage of
the Bulls where he tore at the inner working of the Federal Drug
Administration (FDA) and the big drug companies. Now he’s peeling the onion of the mortgage
banking industry. I feel you use Louis
Martelli as an “ordinary Joe” allowing the reader to learn as he uncovers the
layers of corruption. What other
character traits do you tend to bring forth in his personality that makes him
so enjoyable for you to write about?
TJC: He is an “ordinary Joe”, but one who’s seen
more of life that most of us ever will. In House
of Cards, we see—and I don’t want to give too much away here—that if his father
had not interceded, Martelli could just as well have ended up in Rikers Island
Prison for the rest of his life as any of the people he’s put behind bars.
Given that as a teenager he was pretty much on this own, he grew up on the
streets of New York City and Brooklyn. That being the case, he became pretty
adept at pickpocketing, card hustling, and other ‘street trades’. So, he’s not
perfect. But he has a big heart. He has a soft spot for the underdog, and is
more than willing to stop and help someone, often giving them money to ease
their burden. He’s a Samaritan of sorts, and carries the two silver dollars
that his deceased father used to carry. My father always carried two silver
dollars, the same ones my brother carries today. If your readers are interested
in the backstory, they should look up the parable of the Good Samaritan. So, Martelli’s a ‘good guy’,
watching out for the ‘little people’ and just trying to do his job as a NYPD
homicide detective. And, oh, yes, he tries to be a good husband and father to
his wife, Stephanie, and their two children, Tiffany and Rob, so we see some of
his home life as well.
PBR: Is there someone that you know or is Louis totally created from your
imagination?
TJC: Martelli is a creation of my imagination.
That said, I lost a good friend in the invasion of Baghdad—Capt. James F.
“Jimmy” Adamouski—who was piloting a Black Hawk helicopter that was shot down
in the same way as I describe how Martelli was shot down in Death by Wall Street and House of Cards. I incorporated this incident
into the story to honor Jimmy and all veterans. As well, you’ll note that
fallen police officers are honored in both novels. The characters of ‘Sy’ the
accountant and deputy coroner ‘Michael Antonetti’ in both novels are named in
honor of very good friends of mine, who are motorcycle police officers.
PBR: I’d like to move on to a question about other authors. Who and what do you enjoy most in your
reading? What authors do you particularly
find most fascinating?
TJC: You may find this surprising, but I read
little fiction. The last book I read was Michael Lewis’ The Big Short, which also addressed the events leading to the
financial meltdown of 2008. I found it a fascinating read, though you do have
to have some understanding of the mortgage securitization chain to fully
‘enjoy’ what Lewis has to say. But if you really want to
know what happened, this is the book
to read. I’ve finally started Mozart’s Letters,
Mozart’s Life, by Robert Spaethling, which at almost 500 pages is daunting.
But I love biographies, so I press on.
PBR: I know you have been a mentor for Theodore Prime. In what ways do you “give back” to those that
are a part of your life?
TJC: Theodore is an exceptional person. I knew that
even before I met him, just from knowing his mother, whom I met at the local
gym. He is quite talented, as you know from reviewing his book of romantic
poems, Burning Desire. It was my
pleasure to serve as his editor. Now that the book is out, I’ve also worked
with him on marketing it. My being a published author has resulted in a continuous
stream in inquiries from writers around the country, mostly seeking advice
regarding how to get their books published. I’d say much of my time in ‘giving
back’ to the community is spent answering questions in this regard.
PBR: From what I know about you, the completion of House of Cards cleared your “work in progress” desk, but I may be
wrong. What are you working on now, or
have focused on as your next project?
TJC: No,
you’re correct. For now, my desk is clear, and I’m free to roam the loft,
practicing jazz on my electric violin. I promised myself that this summer, my
teacher and I would focus on jazz. Come September, we both will be forced back
into playing classical music, which I also love, andinto the rigors of
preparing for the next concert season, which includes, among other things, a
November performance of Elgar’s Serenade
for Strings.
PBR: Well, we certainly wish you the best of success with all of your novels,
and hope to have another opportunity to talk more in the future. Thank you again for spending some time with
us today.
TJC: It’s
been my pleasure.