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Review This book is a genuinely great contribution; if you like any other book in the Wheel of Time series, you'll like this one. It's the 12th book in the ongoing saga; Jordan unfortunately and sadly died in 2007, before completing the last chunk of the series, and Brandon Sanderson (author of several excellent but less-well-known fantasy novels) was hired to finish it up based on Jordan's notes, outlines, and completed sections.
So far as this volume goes, at least, the handover has succeeded. There's a real spark and fire here; if you're a fan of the earlier books, and you haven't gotten completely jaded to the entire Wheel of Time series by now, you will love this one as well.
Because of the nature of the co authorship (Jordan wrote some sections of this book before he died, and the rest was completed from outlines and notes), it's hard to know precisely how much we're seeing here of Brandon Sanderson's work and how much of Jordan's, and there were one or two moments where I as a reader wondered whose voice I was reading, and one or two points where I felt Sanderson had stumbled slightly in his presentation of a character or handling of internal monologue. But I could count those problem points on the fingers of one hand, and this is an 800-page book. The riveting action and powerfully compelling characters that made the series great are all still here, and overall Sanderson's work is excellent, especially considering how badly some similar series handovers have failed in the past.
Perhaps most impressive, Sanderson manages to show these characters continuing to develop and change as individuals -- something absolutely necessary if continuing the series was going to be at all worthwhile, but also inevitably controversial, as it's impossible to do anything more than guess at how closely Sanderson's character changes parallel or follow what Jordan's would have been. Still, apart from one or two hiccups, I think most readers will feel they're reading about the same characters as before (and different readers may well pick different hiccups; some readers may prefer Sanderson's hiccups to Jordan's -- even where the differences are noticeable, Sanderson hasn't made bad choices, just different ones). Sanderson states in a brief introduction that he'd like for readers to think of these novels as film scenes shot by a secondary director, but part of the same film and with the same cast of characters, and I think most readers will find he achieves that.
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